A film review of close encounters

The aliens who emerge from the mothership were designed by Carlo Rambaldi, the man responsible for the forty-foot-tall mechanical embarrassment that briefly appeared in King Kong This middle part is perhaps the weakest part of the film, as Speilberg was obliged to pad it out with a number of extraneous sequences and subplots.

As such, a mass audience identified with him much more intensely than with a more conventional romantic adventure hero. Strange lights surround him, the dashboard of his truck goes wild and his equipment starts to move around as if with a life of its own.

But take away the sci-fi, the spectacular sound and light show, and what remains is compassionate, classic human drama of an ordinary man in extraordinary circumstances who makes a difficult odyssey.

It evokes a feeling of the smallness of humanity in the scope of the vastness of space. Once on-set, none of these mechanical creations ever worked properly, forcing the filmmakers to compromise during photography and editing.

He becomes obsessed with UFOs, loses his job as a result and alienates his wife Teri Garr and his three children when he persists in trying to sculpt the shape of a strange mountain a vision firmly implanted in his mind since his encounter with the UFO with whatever material is at hand, be it soap, garden soil or mashed potatoes.

Spielberg added seven minutes of new footage, but also deleted or shortened various existing scenes by a total of ten minutes, so that the Special Edition was three minutes shorter than the original release. Jillian sees the same broadcast, and she and Roy, as well as others with similar visions and experiences, travel to the site in spite of the public warnings about nerve gas.

Arbogast had previously worked with Spielberg on Jawsand Trumbull had worked on A New Hope We had to be down on Earth with totally believable illusions.

Close Encounters of the Third Kind

As the aliens finally emerge from the mothership, they select Roy to join them on their travels. Scientists broadcast the phrase to outer space, but are mystified by the response: Jillian Guiler is another witness, seeking to reach the formation in order to find her son who had been taken away by the flying saucers.

Spielberg initially included Cliff Edwards ' original "When You Wish upon a Star" from Pinocchio in the closing creditsbut after a Dallas preview where several members of the audience audibly snickered at the inclusion, the song was dropped and replaced with Williams' orchestral version of it.

Released within months of his best friend George Lucas' Star Wars, Close Encounters was the other instantly iconic event film of the year, with great reviews, enthusiastic queues and best bits immediately entering the currency of popular culture the five tone musical motif Spielberg requested from John Williams as a universal greeting and language key, the mashed potato mountain.

Even well-known films like MetropolisForbidden Planet and Close Encounters shows all the sensibilities of the American post-War suburban Baby Boomer nurtured on Disney, 50s sci-fi and childhood experiences like being awakened by his father in the middle of the night to witness the heavenly spectacle of a meteor shower.

His work helped lead to advances in motion control photography. Unusually in filmmaking, Spielberg carried enough influence to maintain creative control over the film's entire branding, and asked Perri to design the advertising campaign and title sequence for Close Encounters based on his logo.

Film Review: Close Encounters of the Third Kind

Jillian also becomes obsessed with sketching a unique-looking mountain. They are not disappointed. Close Encounters of the Third Kind: Written and directed by Steven Spielberg, Close Encounters properly begins in a small rural town in Indiana where a number of people experience a strange manifestation.

A Space Odyssey, Close Encounters is a religious film.

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Close Encounters shows all the sensibilities of the American post-War suburban Baby Boomer nurtured on Disney, 50s sci-fi and childhood experiences like being awakened by his father in the middle of the night to witness the heavenly spectacle of a meteor shower.

As he stands there, Lacombe steps forward and smiles and, after a pause, the alien smiles back. Soon after, she is terrorized in her home by a UFO which descends from the clouds.

When Kahn and Spielberg completed the first cut of the film, Spielberg was dissatisfied, feeling "there wasn't enough wow-ness". Investigating one of a series of large-scale power outages, Indiana electrical lineman Roy Neary experiences a close encounter with a UFO, when it flies over his truck and lightly burns the side of his face with its bright lights.

Jan 01,  · Spielberg's Special Edition is sort of a "Close Encounters: Part /2." It is also a very good film. I thought the original film was an astonishing achievement, capturing the feeling of awe and wonder we have when considering the likelihood of life beyond the Earth.4/4.

Audience Reviews for Close Encounters of the Third Kind Spielberg's classic UFO film is the blueprint for the barely used naive, optimistic alien encounter genre.

The reason why very few movies after this one even went this direction and rather blew up the White House instead is simply that it 96%(58).

Jan 01,  · Spielberg's Special Edition is sort of a "Close Encounters: Part /2." It is also a very good film. I thought the original film was an astonishing achievement, capturing the feeling of awe and wonder we have when considering the likelihood of life beyond the Earth.4/4.

Sep 01,  · Steven Spielberg’s masterpiece “Close Encounters of the Third Kind,” which is returning to theaters for a one-week engagement to mark its 40th anniversary, is the epitome of a truly great film.

Having seen it countless times over the past four decades, I went into the screening planning to devote most of my attention to how the new 4/4. "Close Encounters" has a good mixture of character and film cinematography.

Spielberg relies on the actors to make the special effects seem that much more special. On a purely visual level, Close Encounters is a superb film and Spielberg demonstrates once again how well he can manipulate an audience.

His films may not exactly be art but they represent the peak of craftsmanship, perfect machines in which all the parts – story, actors, effects, editing, music, etc.

Close Encounters of the Third Kind Review

– mesh together into a seamless whole.

A film review of close encounters
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